This noisy and eye-catching poster for Babes on Swing Street (1944) captures the diverting nature of both the somewhat chaotic plot of the merry tale and the stream of bouncy teen talent that makes up our cast. From my book Ann Blyth: Actress. Singer. Star.:
Babes on Swing Street (a cheeky coincidence but no relation to MGM’s Babes in Arms, Babes on Broadway, etc.), starred Peggy Ryan and Ann... Except for the old one-reeler comedies with Zasu Pitts and Thelma Todd, it was uncommon for a female buddy team to carry a movie and be given top billing together. To be sure, this was low budget rather than A list, and the predominantly youthful cast and focus on ambitious teens “making good”...
Directed by Edward C. Lilley, the movie lasts just over an hour, and though brief, is stuffed with songs, gags, and a plot somewhere in there if one looks hard enough. Peggy Ryan is the president of kids’ club at the local settlement house where teens meet to play ping pong and get off the streets. They are also all very talented singers, musicians, and tap dancers, and want to “make good.” A music academy (headed by Ian Wolfe) will give ten of them partial scholarships if they can come up with the rest of the tuition.
Ann hangs out at the settlement house, too, but she’s a rich girl who lives with a domineering aunt, played by Alma Kruger, and befuddled uncle, played by Leon Erroll. Her attempts to help the kids are constantly rebuffed by the resident heartthrob played by Billy Dunn, who resents her for her wealth. Why she’s stuck on this unpleasant boy, and why he suddenly turns around and falls for her at the end is never really clear. He just does, probably because she’s the soprano...
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